Act V, Scene 2b: A) To a doubtful Horatio, Hamlet defends his decision to send Rosencrantz and Guildenstern to their deaths.

As noted last time, Horatio is the character who doesn’t push back against Hamlet. So it’s significant that he now privileges his role as audience stand-in over his position as Hamlet’s supporter and confidant. Like us, he protests the harshness of R & G’s fate. Stung, Hamlet simultaneously concedes the point and shifts the blame to Claudius. If he hadn’t killed Hamlet’s father and married his mother, he wouldn’t have set Hamlet on this corrupt path, letting “this canker of our nature come in further evil.”

This beat ends in dramatic defeat for Horatio, who, failing to get the assurance he seeks, shifts to the more comfortable pragmatic issue of how quickly Claudius will get news from England. If only by default, that makes it a victory for Hamlet. So we score this with one up and one down dramatic arrow for our two remaining PCs.

B) Another oleaginous courtier, the buffoonish Osric, shows up to issue an invitation. Hamlet befuddles him with a stream of contemptuous verbiage.

Once again, an apparent intrusion of comic relief introduces a darker note. Just as Claudius has corrupted Hamlet, he’s turning the court into a haven for clowns like Osric. Osric has no choice but to cheerily deflect Hamlet’s scorn, giving him a (somewhat cheap) emotional victory. But since Osric is a ridiculous lackey figure, we feel he deserves it.

C) Osric lays out the terms of the wager and duel with Laertes.

A pure procedural beat, this exposition sets up the final confrontation. We know that Claudis and Laertes are scheming to secretly kill Hamlet, so his acceptance of the duel increases our fear for him and thus counts as a procedural down moment.



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Tags: gaming hut, hamlet, turning points

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